"French Horn", oil, by Jia Tian Shi |
This morning, just before school, I listened to several
movements of a Mozart wind quintet, and the perfectly beautiful French horn
solos started me thinking about the art of teaching. Here was this outsized,
cumbersome instrument, one that is usually kept in the background of classical
pieces, playing lovely melodies by itself, and playing them in an enthralling
manner. As I listened, I thought of certain of my students, the ones who stay
on the outskirts of discussions and seem to be only marginal members of the
class. I wondered whether these reserved students had "music" inside them that
I was missing -- whether they could perhaps “solo” as skillfully as this French
horn. What this led me to was the realization, for the thousandth time, that all
of my students have a secret, special brilliance, and it is my duty to draw it
out. The quiet ones may not be able or willing to solo like the French horn,
but at least I can let them know that I appreciate the irreplaceable loveliness they
are able to lend to the class. In order to do this, though, I have to be truly attentive to them, and to listen carefully
to their fleeting but beautiful thoughts. Like the French horn in the Mozart
piece, these timid, retiring students have singular music to share.
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